
Potential
It was the witching hour you know
I know when there are signs
I don’t know when I started looking for them
I know there are signs
Look, there, can you see them?
I felt like I shouldn’t move
I felt that we should sit
and wait
with them
They sat
in wait
with us
I knew it was a sign when he turned and crossed the threshold
Without looking
both ways
It was bold but he was sure
Things I learned from the deer gods
That wait in the street
My heel clacked to advance and he simultaneously stepped
back
But he was not afraid
Sit on the sidewalk at 4 am with them and listen to what they have to say
What do the signs say?
What do the signs say?
What do the signs say?
Hold cheek up to warm breast
Tender consolation
Temporary absolution of thought
I covered my eyes because the red haze was unnatural
I found solace in the temporary absence of light
I'll paint arrows on my thumbs
To point the right direction
I watch the sunrise through a triptych
I slide into your existence
You slide into mine
He slides into her existence
Time
Temporal
Temporality
The absence of thought is what I strive for
The footsteps of sleepless girls are what I’ll surround myself in
We’ll dream of coconuts
and our lost selves
find them again in those archives
pick them up
pick them up
I shed millennial tears
Where do we store our regret?
I'll collect the teeth I ground down in fine jars
So that you can see the diamond bits
In soft powdery reflections
When did the hollowfication occur
How much poured from the vessel
You watch those sleeping bodies at night
Breathe in
Breathe out
When will they wake
up?
Dip your fingers in the water
Purification
Remember the rituals
You sat with eyes open but mind blank
Who was Adam
Who was Eve
You saw them both looking at you in the mirror
You felt the serpent writhe in your belly
They’ll tell you
You’re wrong
What did entropy feel like to you in those days?
Sit in your house
Dark is usually best
Crawl under the sheets
You will have soaked your body in water that burns your flesh, leaving it riddled with blossoming red patches; light some incense. Direct the stream so smoke so that it runs from the top of your head to the tips of your toes in little rivulets like the water. Be sure to inhale frequently. Think hard of sulfur and sweetness. Invoke your cat if necessary, or other familiar (familiars needn't be living; a sentimental rock or similar insentient object of high personal regard will do just as well. Replicate their essence. Observe your collection of precious objects. Replicate their essence as well. Reflect on object furriness/scaliness/mummification/crispness/smoothness/ fragility/fragrance/hardness/fluidity. And how these traits may make you a better, stronger, more beautiful person. Repeat your findings in your mind until you’re sure you won’t forget. The ritual is complete. To be performed at least two to three times a week. Although daily sessions performed with a regular rotation of freshly scavenged objects that invoke strong emotions (joy/calm/peace/sorrow/wonder/nostalgia/excitement/fear/wistfulness/determination) are ideal. Continue until you feel you have achieved absolute harmony within your galaxies.
And mastery over them.
Did you ever listen to the stars
They told me it was silly
I believed them
How wide my eyes became
When I kept their maps
Under my lids at nights
I break my toes
To stand up high
In front of a mirror
That splits me in three planes
My back is heavy
My mind is awake
To make it silent
Quiet sleep death
Whose constant outcome
Is reawakening
The abalone shells
Hold poison in them
But the crab claw is meant to protect
If introduced slowly
One builds resilience
So tend to pestilence sweetly
In search of greater strength
Joints ache
With the pockets of sickness
Burn mirrors
And collect their shards
Collect them atop your breasts
Some will be offended
Your ears will have already been stuffed
Stalactites growing outward
Shoulders strong from carrying the burden
What does it mean to cover my eyes
I'm tired of seeing my face
Walk on reflection instead
In search of greater wisdom
How can I harmonize my mind
With yours
I grew my hair long
I cut my hair short
I lay in the snow
I looked at the screens but they didn’t give me the information that I
needed
I still tried desperately for hours
I forgot what time meant
It was not relevant to my outer vessel
At some point, I stopped growing
But the me that is the coral beneath my eyelids
Was always the same size
I tried to replicate my likeness
In objects
I rolled in opulent fabrics
I dreamt myself a queen
Bedazzled myself with jewels
And oils in my bath
I sit in the dark
Paint chips drift into the water
Inhale them
Soak the water up with lace
And wear it as a gown
Break fluorescent lightbulbs
And leave them on the sill
Paint the ceiling pthalo blue
And sugar coat the blinds
Coat the floor in sea weed
I started living in mirrors
And photos on the wall
Drown it out in chillhop
Imitate the trees
Replicate their limbs
Try to keep the poison down
Burp twice
Grind grind grind
Repetition in faces
Coat your shoulders in furs
That way you can stay warm when the day snows repeat
week after week
Time loops repeating time and time again
Cat sentinels stand guard
They know when things are amiss
I spread my legs in dismay
What could come from my loins
Soft cries
Grind grind grind grind grind
Stand on top of skyscrapers
Look down
Standing sideways
What color are they
Broken mirrors on the side of the street
You know that it's a sign
Carry it around
Reverse the curse
Pay attention
They’re waiting for you
Lying in the street
Pay attention
When do we learn to see
When do we forget
When do you learn to be scared?
Things that are characteristic of a broken house & vessel:
The realization that, no matter how hard you try, you keep finding yourself ultimately, inevitably, alone.
The realization that, no matter how hard you try, you don’t really know what the definition of ‘better’ is
The realization that, no matter how hard you try, the outcome, despite its outer appearance, is often the same
The realization that,
How do you escape from these time loops?
A scientific investigation
Do you think yourself special
How many
Fish
Are swimming in the sea
Imaginings of worlds without people
The perception of loneliness is palpable
Real
How could you possibly understand that
When the population threatens to overcome the planet
And yet it is real
What is truth
You left
When inwardly
I screamed for you to stay
At what frequency does that occur
How much can we expect of others
How much can we expect of ourselves
Texts:
Dying
Breathing
Die
Lit
Time
Useless
Fine
Okay
Not good
That's good
Awake
Good
Night
The link
Sometimes, usually
Midnight
Before noon
Now I’m scared
To arc ones body
In correspondence with the vibrations of others
Imagined how bent my spine would be
As I bowed to the dominion of the world
When do you get tired
of dealing
If you sit in a house
With the music loud
It almost sounds
Like a million people
Are standing there around you
Even when
You’re totally alone
You better beware
Sometimes it's just those men in the speakers
That speak to me
At night
Briana Coleman, 2017








